(190411 / v.12.0) Basic shortcuts cmd + = mix/edit cmd+shift+N new track cmd + ↑,↓,←,→ in the new track, can select for different options cmd+shift+I import audio control+alt+↑,↓ selected track vertical size control+alt+shift+↑,↓ all track vertical size alt+shift+D duplicate 트랙 복제 cmd R/T zoom track control D/G/F D= fade in, G=fade out, F=making fade control B trim 객체안에서 자르기 control H combine 객체안에서 자른 파일 복구 F1,2,3,4 edit mode (F4는 다른 1,2,3과 함께 적용된다) slip - basic edit shuffle - 타임라인에서 오디오를 자르면, 자른 부분이 공백이 되지 않고 줄어든다. spot - 타임코드를 이용하여 세부 이동 가능 grid - 격자가 생긴다. 프레임이나 박자별로 설정가능 F5~10 // (esc로 이동 가능) F5 zoom / alt minus zoom normal zoom/simple zoom(줌 기능 후에 이전 모드로 돌아감 ex) 손바닥>심플줌>자동으로 손바닥) F6 Trim standard TCE 선택된 객체의 소리 속도가 조정된다/ fast/slow ...
Oskar Fischinger, optical poem sound represents movement and vidual, frame accurate, syncronise, Morriña from Miguel Mera on Vimeo . PING PONG from Paul Mortimore on Vimeo .
1) Understanding the media concept of projection mapping, by Yiyun Kang's PhD dissertation, <The Spatiality of projection mapping: A practice-based research on projected moving-image installation> Projection mapping generates a distinctive relationship between screen, moving image, and space, by reconfiguring through the notions of surface and depth (p.10) In contrasts, projection mapping is essentially incorporated within a space or object and cannot be archived in its original version; once de-installed from the exhibition venue, the artwork disappears. For this reason, projection mapping lacks the durability of art practices such as film and painting, and aligns more with live performance art in terms of transience, because performace's ephemerality provides it with an identity that separates it from other art disciplines; performance is identified through live actions in space and time before a live audience. In this view, projection mapping is also a tempor...
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